Spartan Warrior is back with the
new album "Hell to Pay", we had a chat with guitar player Neil
Wilkinson, about the new album and the early days.
Q. – Hello Neil, tell us a bit
about your early days, how did Spartan Warrior start? Who were your major influences
at that time?
Neil - Well I’ve always been into
music for as long as I can remember and always had instruments as a kid.
Actually when I was four or five I wanted be a drummer but drum kits were
expensive and made a lot of noise. Instead I was given a guitar as a xmas
present and it sort of went on from there with me playing on and off until I
formed my first band and became more serious about it . As a kid I was probably
most influenced by bands that were well known but were definitely on the rock side
and at that time were glam bands like Slade and The Sweet. Then as we got older
Dave would bring home albums by Black Sabbath, Led Zeppelin, UFO and Thin Lizzy
and I also got into them and things progressed from there. In terms of guitar
playing I would say Michael Schenker was my biggest influence in fact hes still
my favourite guitarist.
How was Spartan Warrior formed? I
suppose it formed slowly. Me and Dave were I’m a band together called Easy Prey
that we formed while we were at school with friends. Dave was asked to join a
local band called Deceiver. Hed been in them a little while when they asked me
to play as stand in because one of their guitarists had broken his arm. Then
shortly after their other guitarist left so I was asked to join and I accepted.
I’d been in Deceiver a while and my friend John Stormont joined too. At that
point it became obvious that the band was moving in a different direction and
that’s when we decided to change the band’s name, to reflect that it had become
something else, and that’s when Spartan Warrior came into existence .It was
when we started to record the Steel n Chains album that John left and Paul
swaddle came in to complete the line up that did the first two albums.
Q. - How did the band name came
up?
Neil - Ha ha, well when we
decided to change the bands name we all came up with different suggestions and
they all went in a hat.Spartan Warrior got picked out, but I’m not sure that
any other suggestions actually got put in there if you know what I mean ha.
Q. - Did you start writing your
own songs since the beginning or were you most concentrated on covers?
Neil - If you’re talking about
from when I joined then yes, we pretty much started writing songs straight away
with my first contributions being Steel n Chains and Easy Prey from what I
remember. We still played some covers at gigs but those songs became less and
less as we wrote new material to the point that by the time we were recording
Steel n Chains we only did one cover and that was because we just really enjoyed
playing it.
Q. - By the time that "Steel
n' Chains" was released the NWOBHM days were fading away, did you play
regularly in the UK back then or was it hard for a heavy metal band to be
booked at that time?
Neil - Around that time we only
ever played locally in bars and nightclubs and yes it was difficult for us, but
I think that that was just how it was for a metal band at the time.
Q. - Why did you call the second
album "Spartan Warrior" and not the first one?
Neil - I think it was all down to
lack of communication. We had just finished recording Steel n Chains when we
signed to Roadrunner who of course wanted an album from us immediately. So we
went in the studio pretty much straight away to record songs that we hadn’t
used on Steel n Chains. Just before we started recording the owner of Guardian
got the ok from roadrunner to release Steel n Chains but by the time we
delivered the second album to them I think it just wasn’t on their radar and
they thought that the Roadrunner album was our first. Either way we had wanted
the album to be called Assassin and we had ideas for the cover but I don’t
think those ideas were communicated to the label by the person who was acting
as a go between for us and the label. The next thing we know we asked to go through
to the studio and we get presented with the album just titled Spartan Warrior
with the skull cover. Not what we had wanted, but it is a great cover!
Q. - Did you get support in the
media back then? Radio, magazines, fanzines?
Neil - Yes there were some
reviews and radio plays but I can’t remember exactly what or how much. I seem
to remember that support was quite limited though because around then there was
a change of direction in rock music with a lot of the American glam bands
coming to the fore and focus shifted towards that. The label were also keen to
move in a different direction, in fact they asked us to change our style and
play “devil music” for the third album that didn’t happen. I think you can see
that if you look at the bands Roadrunner had at the time.
Q. - Which other bands did you
share the stage with during the eighties? Was it headline shows? Did you use
pyro effects?
Neil - Back then we only did gigs
on our own so I suppose it wasn’t headlining as such or supporting - just gigging.
We would always try to put a show on by hiring lights and yes we did use pyros,
mostly at the beginning of Stormer when everything kicks in as we used to open
with that. I remember when we played Headbangers Open Air in 2011 we opened
with it and I kind of missed the pyros even after 25 years ha ha. Id love to
use them again, in fact we nearly did at Blast From The Past Festival in
Belgium, but these days with health and safety you have to be careful I guess.
Maybe one day ill sort it out, Id love that.
Q. - With a stable line up and
two good albums, why did you split up in 85? What happened that lead to the
break?
Neil - There were various reasons
the biggest being Dave leaving. But previous to that there were some things
that we weren’t happy with. First there was the issue with the second album
title and cover. While it wasn’t a big thing in itself it was part of a few things
that all added up. I know Paul wasn’t happy with the production and that led to
some conflict between him and the producer and the producer would then try to involved
the rest of us but mostly Dave, who would get phone calls at stupid o clock with
problems. Mind none of us were happy with how the second album had turned out, not
totally on sound but more the way it was recorded, with a massive amount of
time being spent on bass and drums, less time on guitar and virtually no time
on vocals with Dave having to sing all the songs in a day maybe just over a
day. In fact he had to do so much in one go that at one point he lost his
voice, listen to the vocal on Sentenced To Die. He sounds like hes got a sore
throat and it was just before his voice went altogether. We all wanted to re do
it but the producer insisted on keeping it. Also because so much time was spent
recording bass and drums that we ran out of time and money. The result was we
only had 9 songs recorded. We were keen to raise the extra and record a tenth
song but again a decision was made and the result was we showed up at the
studio to find that the producer had extended some of the songs by editing
them. You can hear an example of this on Broken Promises with the guitar solo
repeating and also Mercenary as well as some others. That was a big issue for
us and we weren’t happy about it at all. Eventually Dave who had just got married
and bought a house thought enough was enough. Shortly after Paul left after we
had demoed some songs for a third album. As I said earlier the label wanted us
to alter our style and play “devil music“, so we just said sorry that’s not
what we do and asked to be released from our contract, which they very kindly
agreed to. Me and the remaining members continued for quite some time but
ultimately decided to call it a day. So splitting was an accumulation of things
really.
Q. - Did you remain in touch with
the other former members all over the years?
Neil - Yes I’ve stayed in touch,
John Stormont is one of my oldest friends and we still meet up regularly and I
saw Paul at a recent gig which was really nice, but it's been a while since
I’ve seen Tom or Gordon.
Q. - What made you feel like
reunite Spartan Warrior again?
Neil - Well to be honest there
hasn’t been a time when I haven’t wanted to do Spartan Warrior, it’s kind of in
my blood if you get what I mean? Over the years it’s become part of who I am
rather than just a band I happen to be in. I made the decision to try and
reform Spartan Warrior just after I’d done a brief spell in Waysted. Obviously
while I was with Waysted I was writing songs with them and sometimes I would
listen to ideas that I’d had before joining. I would often think I’d love to do
these with Spartan, so it was on my mind then .Then when my time with Waysted
came to an end I gave it some thought and decided to try and get the band back
together. I remember being encouraged by seeing stuff about us on the internet
so I knew there was still interest in us although I admit I was surprised to
see that after all those years! That was the deciding factor for me as I’ve
always wanted to do Spartan anyway but didn’t think there was any point if
there wasn’t any interest. Thankfully that wasn’t the case!
Q. - "Behind Closed
Eyes" was your return, did you try to keep the 80's spirit alive?
Neil - Absolutely. The whole
point of Behind Closed Eyes was just to pick up from where we left off and also
right some of the wrongs we felt about the second album. That’s why the first
song we did for it was Never Take Me Alive. Me and Dave wrote that in the 80s
and it was originally recorded for the Steel n Chains album. In fact we were in
the middle of putting the vocal down for it for steel n Chains when the
producer announced he didn’t think the song worked and was dropping it from the
album! We were shocked. We thought it was shaping up to be the best song we had
recorded at that point and were gutted when it didn’t make it onto the album.
So yes the intention was most definitely to keep that 80s spirit alive and that
also carried over into the Hell To Pay album. I suppose it’s all just doing
what comes naturally to us.
Q. - -"Hell To Pay" is
out now, what expectations do you have for it? Are you happy with its final
result? Will you try to tour Europe?
Neil - My expectations for Hell
To Pay? Well I’d like to sell millions of albums and tour the world promoting
it ha ha. Realistically though, I don’t really have any expectation these days.
You never know how an album will be received but fortunately it’s been mostly
very positive. But I do it because I enjoy playing and writing songs so my only
real expectation is id like people to enjoy it for what it is although millions
of sales would be great too ha ha.
In terms of am I happy with it?
That’s a difficult question for me to answer because I wrote songs on it, played
on it and also produced it and when you’re involved in so many ways its
sometimes difficult to take a step back and just listen to it for what it is. I
had a lot to learn to produce Hell To Pay and I can say that I’m happy overall
with how it turned out, but anyone who knows me will tell you that I’m always
striving to do better, and because of that I’m never totally content with
anything I do. That’s just the way I am and sometimes it can be a pain.
As far as touring Europe goes,
yes I’d love to do that and we do have some gigs coming up with British steel
Fest in France, Trueheim in Germany and Firestorm up in Scotland. I'd like to
get to other countries and other parts of the world too but it can be difficult
factoring in people lives and commitments, that’s just how it is. But who
knows? More stuff might happen and that would be great.
Q. - What gives you more strength
to keep Spartan Warrior alive after all these years?
Neil - Well doing interviews like
this and getting positive feedback keeps me motivated. I’ve said before that
most people like to be liked and I’m no exception to that and its appreciated.
I also stay motivated by keep trying to move forward and learn something new
which for me at the moment is mostly on the recording and production side, but
that’s great and it keeps me on my toes! I just enjoy doing what we do really.
Q. - Having you been part of it,
what do you think about all the N.W.O.B.H.M. movement, and the repercussion it
had around the world? How did you live those days?
Neil - Well it’s an honour being
included as part of that movement. To be honest back then I didn’t give it much
thought but over the years I’ve come to realise just how much of an impact it
did have. I suppose the more successful bands of the genre speak for themselves
and their influence is fairly obvious, but those less successful in a
commercial sense have probably had just as much influence on the bands that
followed them. You’ve only got to look at some very successful metal bands who’ll
happily tell you that they were influenced by bands from the NWOBHM. In more
recent times there’s a whole load of young bands who are playing and writing in
that style and who are also listening to bands like Spartan Warrior, which is
one of the reasons for the continued resurgence of NWOBHM. Happy days eh!
Q. - Are you still a heavy metal
fan these days?
Neil - Always was, always will
be, what’s not to like about heavy metal!
Q. - In your opinion what are the
main differences between the eighties and the reality of today?
Neil - I suppose that any
differences are mostly down to advances in technology the internet and the fact
people are more connected these days. Everyone has a computer or phone so it’s
very easy to get your music out there, and of course people like me are able to
produce their music themselves form their home studios. In fact I know that
people have said that back in the 80s the nwobhm movement was very diy. I
personally think it’s more diy now than it was then. Back then I’d pay to go
into a studio with a producer, now I do it myself and there are loads just like
me doing exactly the same. I would say that on the whole things are easier now
and they move a lot faster. I remember sending demos off to record companies
using mail and you’d have to wait for weeks or months before hearing anything.
Now you just email it over. Also interviews like this are so much easier. It's
also easier to get gigs because people are more connected and it’s easier to
travel to those gigs. So yep technology has made a big difference.
Q. - Anything more you want to
say, to end up this interview?
Neil - Thank you for asking me to
do this interview! Also thanks to everyone who's supported Spartan Warrior over
the years, I appreciate it very much. Hopefully I’ll get to see some of you at
a gig soon, If you see me come and say hi. Cheers Neil.
Thank you for your time, and wish
you all the best for the future!
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